Bergs pupil Adorno once said, Whoever is seriously trying to comprehend Bergs music should closely apply themselves to the eleven-page piano sonata. It is tempting to enlarge upon this statement: Whoever is trying to get to grips with New Music will not be able to avoid Bergs opus 1. It is one of the most frequently played sonatas amongst the Second Viennese School piano compositions. With this publication Henle is introducing Urtext editions to classical modernism. Once again, pianists will find flawless engraving, an absolutely reliable musical text and a commentary based on the sources.

G. Henle Publishers stands for Urtext sheet music of the highest quality. The Urtext editions not only provide the undistorted and authoritative musical text but are also aesthetically pleasing, optimised for practical use and extremely durable. And then there is the strong, distinctive blue profile: (almost) all of the Urtext editions are bound in the characteristic blue cardboard.

Musicians trust Henle’s blue Urtext editions because they:

• provide an undistorted, reliable and authoritative musical text
• offer superb, aesthetically appealing music engraving
• are optimised for practical use (page turns, fingerings)
• are of high quality and durable (cover, paper, binding)
• contain a short preface that introduces the work (particularly useful for AMEB exams) in German, English and French, as well as explanatory footnotes for particularly interesting passages in the score
• contain a description of the sources, an evaluation of the sources, readings and a documentation of the corrections made (= “Critical Report”) in German and English, and often also in French